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Fire & Fantasy

Fire & Fantasy

September 8, 2017

Heavy Music Artwork 6th installation: Fire & Fantasy is centred around the concept of fantasy, imagination and escapism. No other...

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Avant-Garde

Avant-Garde

May 26, 2017

Heavy Music Artwork launches world’s first and only metal and rock art magazine - Issue 5 pre-sell: Avant-GardeFeaturing: Ulver, Sun O)))...

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Legacy

Legacy

March 10, 2017

The aging process affects pretty much everything in one way or another; but it may also lead to things being...

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Human

Human

January 20, 2017

The third issue of Heavy Music Artwork is an introspective outlook on music and art. Rock and metal have a...

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Folklore

Folklore

October 20, 2016

The second installment of Heavy Music Artwork is dedicated to Folk Art. Often referred to as ‘folklore’, it depicts the...

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Dark Nouveau

Dark Nouveau

July 20, 2016

The first issue is finally out and we feel inspired, happy and accomplished that we; the metal community; have a...

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Sam Shearon

Sam Shearon

September 19, 2017

Sam Shearon talks with Heavy Music Artwork Sam Shearon Aka ‘Mister-Sam’...

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Maciej Kamuda

Maciej Kamuda

July 5, 2017

The art of being yourself Most of all I'm self-taught. I...

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Cosimo Miorelli

Cosimo Miorelli

July 1, 2017

Man at work Like most people, I always drew as a...

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Rainer Kalwitz

Rainer Kalwitz

June 28, 2017

Phantastic Realism I had studied graphic arts at the university of...

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Lukasz Wodynski

Lukasz Wodynski

June 20, 2017

Living beings I graduated The School Of Fine Arts in my...

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Max Martelli

Max Martelli

June 14, 2017

Passion for Science Fiction Ever since I was young I was...

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Christian Sloan Hall

Christian Sloan Hall

June 8, 2017

The power of perseverance I was born in Santa Monica, California...

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Mike D from Killswitch Engage

Mike D from Killswitch Engage

May 31, 2017

DarkIcon studio profile All of Killswitch Engage's album artwork and tour...

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Top 10 Albums that changed my life by Drew Zaragoza of Sinicle

Top 10 Albums that changed my life by Drew Zaragoza of Sinicle

August 25, 2017

Drew Zaragoza is the front man for LA Power Trio Sinicle. He has led the band for over a decade. Los Angeles power trio Sinicle combine the groove of Heavy...

Top 10 Bands that inspired my music by Drew Rizzo of Midnite Hellion

Top 10 Bands that inspired my music by Drew Rizzo of Midnite Hellion

August 22, 2017

Drew Rizzo is the drummer and founder of Trenton, NJ’s own MIDNITE HELLION, a US Heavy Metal band formed in 2011.  He eats, breathes, and sleeps Heavy Metal, and here’s...

Metastazis & Au Dessus: End of Chapter (Les Acteurs de l'Ombre)

Metastazis & Au Dessus: End of Chapter (Les Acteurs de l'Ombre)

July 21, 2017

There were no specific directions, the band gave me total freedom to provide my interpretation of the title. I interpreted 'End of a chapter' as plain death. And I wanted...

Robert Schober aka Roboshobo & Ghost: Cirice (Universal)

Robert Schober aka Roboshobo & Ghost: Cirice (Universal)

July 14, 2017

‘Cirice’ concept was inspirited by Brian De Palma film ‘Carrie’. The idea originated with Papa himself. He wanted to set the video in a school and do a talent show...

Napalm Death & Frode Sylthe: Apex Predator, Easy Meat (Century Media)

Napalm Death & Frode Sylthe: Apex Predator, Easy Meat (Century Media)

July 7, 2017

The band have been very much involved in the process of making this album artwork. And they tend to have a lot of ideas in which direction it all should...

Nestor Avalos & Bloodbath: Grand Morbid Funeral (Peaceville Records)

Nestor Avalos & Bloodbath: Grand Morbid Funeral (Peaceville Records)

June 30, 2017

We started from the concept of the band and the name of the album 'Grand Morbid Funeral'. This was the determinant factor for the whole process 'a place of plague...

Sikth & Dan Mumford: Opacities (Peaceville Records)

Sikth & Dan Mumford: Opacities (Peaceville Records)

June 23, 2017

I have known most of the guys in SikTh for quite a long time, I grew up in Watford, the same town that SikTh came from, and was playing in...

Obituary & Andreas Marschall: Inked in Blood (Relapse Records)

Obituary & Andreas Marschall: Inked in Blood (Relapse Records)

June 16, 2017

The idea for ‘Inked in Blood’ was developed by the Tardy brothers and me, based on an early suggestion sketch, when the band decided to move visually in a different...

Michael Berberian from E-Kunst

Michael Berberian from E-Kunst

June 9, 2017

The art of E-Kunst Mostly known as the founder of the record label Season of Mist, Michael S. Berberian has been using metal festival for years as an alibi to visit...

Camden Rocks Festival

Camden Rocks Festival

May 12, 2017

Camden Rocks Festival, established in 2009, is an exclusive festival held in London’s notorious Camden Town bringing you the best selection of rock, indie, metal and alternative music. Camden has...

David Teniers the Younger

David Teniers the Younger (15 December 1610 – 25 April 1690) was a Flemish artist born in Antwerp, the son of David Teniers the Elder. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna, née Anna Breughel, was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonné) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter, Anne Breughel, the daughter of Jan (Velvet) Breughel, married Teniers in 1637.

Smith's Catalogue Raisonné gives descriptions of over 900 paintings accepted as original productions of Teniers. Few artists ever worked with greater ease, and some of his smaller pictures, landscapes with figures, have been termed "afternoons", not from their subjects, but from the time spent in producing them. The museums in Madrid, St Petersburg, Vienna, Munich, Dresden, Paris, London and Brussels have more than 200 pictures by Teniers. In the United Kingdom, 150 may be found in private hands, and many other examples are to be met with in private collections throughout Europe. Although the spirit of many of these works is as a whole marvellous, their conscientiousness must be regarded as questionable. Especially in the later productions, from 1654 onwards we often detect a lack of earnestness and of the calm and concentrated study of nature which alone prevent expression from degenerating into grimace in situations like those generally depicted by Teniers.

His education, and still more his real and assumed position in society, to a great degree account for this. Brouwer knew more of taverns; Ostade was more thoroughly at home in cottages and humble dwellings; Teniers, throughout, triumphs in broad daylight, and, though many of his interiors may be justly termed masterpieces, they seldom equal his open-air scenes, where he has, without constraint, given full play to the bright resources of his luminous palette. In this respect, he often suggests comparisons with Watteau. But his subjects taken from the Gospels or sacred legend are absurd. An admirable picture in the Louvre shows Peter Denying his Master next to a table where soldiers are smoking and having a game at cards. A similar example is the Deliverance of St Peter from Prison of which two versions, curiously altered, are in the Dresden Gallery and the Wallace Collection. He likes going back to subjects illustrated two centuries before by Hieronymus Bosch—the Temptation of St Anthony, the Rich Man in Hell, incantations and witches for the simple purpose of assembling the most comic apparitions. His villagers drink, play bowls, dance and sing; they seldom quarrel or fight, and, if they do, seem to be shamming. This much may be said of Teniers, that no painter shows a more enviable ability to render a conception to his own and other people's satisfaction. His works have a technical freshness, a straightforwardness in means and intent, which make the study of them most delightful; as Sir Joshua Reynolds says, they are worthy of the closest attention of any painter who desires to excel in the mechanical knowledge of his art.

Although van Tilborgh, who was a scholar of Teniers in Brussels, followed his style, and later painters often excelled in figure-painting on a small scale, Teniers cannot be said to have formed a school. Properly speaking, he is the last representative of the great Flemish traditions of the 17th century.

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