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Fire & Fantasy

Fire & Fantasy

September 8, 2017

Heavy Music Artwork 6th installation: Fire & Fantasy is centred around the concept of fantasy, imagination and escapism. No other...

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Avant-Garde

Avant-Garde

May 26, 2017

Heavy Music Artwork launches world’s first and only metal and rock art magazine - Issue 5 pre-sell: Avant-GardeFeaturing: Ulver, Sun O)))...

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Legacy

Legacy

March 10, 2017

The aging process affects pretty much everything in one way or another; but it may also lead to things being...

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Human

Human

January 20, 2017

The third issue of Heavy Music Artwork is an introspective outlook on music and art. Rock and metal have a...

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Folklore

Folklore

October 20, 2016

The second installment of Heavy Music Artwork is dedicated to Folk Art. Often referred to as ‘folklore’, it depicts the...

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Dark Nouveau

Dark Nouveau

July 20, 2016

The first issue is finally out and we feel inspired, happy and accomplished that we; the metal community; have a...

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Maciej Kamuda

Maciej Kamuda

July 5, 2017

The art of being yourself Most of all I'm self-taught. I...

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Cosimo Miorelli

Cosimo Miorelli

July 1, 2017

Man at work Like most people, I always drew as a...

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Rainer Kalwitz

Rainer Kalwitz

June 28, 2017

Phantastic Realism I had studied graphic arts at the university of...

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Lukasz Wodynski

Lukasz Wodynski

June 20, 2017

Living beings I graduated The School Of Fine Arts in my...

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Max Martelli

Max Martelli

June 14, 2017

Passion for Science Fiction Ever since I was young I was...

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Christian Sloan Hall

Christian Sloan Hall

June 8, 2017

The power of perseverance I was born in Santa Monica, California...

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Mike D from Killswitch Engage

Mike D from Killswitch Engage

May 31, 2017

DarkIcon studio profile All of Killswitch Engage's album artwork and tour...

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Ocvlta Designs by Surtsey

Ocvlta Designs by Surtsey

May 25, 2017

The demons and the good side I studied graphic arts in...

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Metastazis & Au Dessus: End of Chapter (Les Acteurs de l'Ombre)

Metastazis & Au Dessus: End of Chapter (Les Acteurs de l'Ombre)

July 21, 2017

There were no specific directions, the band gave me total freedom to provide my interpretation of the title. I interpreted 'End of a chapter' as plain death. And I wanted...

Robert Schober aka Roboshobo & Ghost: Cirice (Universal)

Robert Schober aka Roboshobo & Ghost: Cirice (Universal)

July 14, 2017

‘Cirice’ concept was inspirited by Brian De Palma film ‘Carrie’. The idea originated with Papa himself. He wanted to set the video in a school and do a talent show...

Napalm Death & Frode Sylthe: Apex Predator, Easy Meat (Century Media)

Napalm Death & Frode Sylthe: Apex Predator, Easy Meat (Century Media)

July 7, 2017

The band have been very much involved in the process of making this album artwork. And they tend to have a lot of ideas in which direction it all should...

Nestor Avalos & Bloodbath: Grand Morbid Funeral (Peaceville Records)

Nestor Avalos & Bloodbath: Grand Morbid Funeral (Peaceville Records)

June 30, 2017

We started from the concept of the band and the name of the album 'Grand Morbid Funeral'. This was the determinant factor for the whole process 'a place of plague...

Sikth & Dan Mumford: Opacities (Peaceville Records)

Sikth & Dan Mumford: Opacities (Peaceville Records)

June 23, 2017

I have known most of the guys in SikTh for quite a long time, I grew up in Watford, the same town that SikTh came from, and was playing in...

Obituary & Andreas Marschall: Inked in Blood (Relapse Records)

Obituary & Andreas Marschall: Inked in Blood (Relapse Records)

June 16, 2017

The idea for ‘Inked in Blood’ was developed by the Tardy brothers and me, based on an early suggestion sketch, when the band decided to move visually in a different...

Michael Berberian from E-Kunst

Michael Berberian from E-Kunst

June 9, 2017

The art of E-Kunst Mostly known as the founder of the record label Season of Mist, Michael S. Berberian has been using metal festival for years as an alibi to visit...

Camden Rocks Festival

Camden Rocks Festival

May 12, 2017

Camden Rocks Festival, established in 2009, is an exclusive festival held in London’s notorious Camden Town bringing you the best selection of rock, indie, metal and alternative music. Camden has...

DOWNLOAD FESTIVAL 2017

DOWNLOAD FESTIVAL 2017

April 24, 2017

Donnington, 9-11th June 2017 With a little over one month left to go for this year’s Download Festival, we are starting to get super excited about one of the best metal...

Pallbearer: The artwork of 'Heartless'

Pallbearer: The artwork of 'Heartless'

March 19, 2017

Initially formed in 2008, Pallbearer grew from the fertile underground metal scene of Little Rock, Arkansas - releasing their debut full length ‘Sorrow and Extinction’ in early 2012. The record...

Felicien Rops

A Baudelairian graphic artist much admired by Péladan; a Belgian who lived most of his life in Paris. He attended the Namur Académie, then went on to Brussels while atttending the workshop of Saint-Luc. In 1856 he founded the satirical weekly 'Uylenspiegel'. In 1868 he became Vice-President of the Société Libre des Beaux-Arts de Brussels. In 1870 he founded the Society of Etchers. He settled in Paris in 1874. He was welcomed by Puvis de Chavannes and Gustave Moreau. He engraved and illustrated (Baudelaire, Barbey d'Aurevilly), and had close links with Péladan, who admired him, though Rops seems not to have taken Péladan too seriously.

He was a lover of the fantastic and the supernatural, and his themes are frequently Symbolist in kind. The devil, skeletons, the prostitute, and death are the Baudelairian accessories of his art. In fact, despite Péladan's appeals, Rops was not very interested in the Rose+Croix artists, and much more so in the mores of his time, in the singularities of the modern mind as it appeared in the spectacle of Parisian life. His libertine life and scandalous and erotic subjects made him infamous in his own lifetime. Rops enjoyed the honour of having been noticed before 1870 by Baudelaire himself, who had written after a trip to Belgium:

'The frolicsome Monsieur Rops, Is no great Prix de Rome, But his talent is as grand, As the pyramid of Cheops.'

The poet regarded Rops as the only artist alive in Belgium worthy of that name, and it was in his company that, in 1866, while visiting a church, he suffered a paralyzing attack from which he would never recover. Huysmans stated that Rops "celebrated that spiritualism of Luxury that is Satanism, and painted, in pages that cannot be perfected, the supernaturalism of perversity, the otherworld of Evil."

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