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Fire & Fantasy

Fire & Fantasy

September 8, 2017

Heavy Music Artwork 6th installation: Fire & Fantasy is centred around the concept of fantasy, imagination and escapism. No other...

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Avant-Garde

Avant-Garde

May 26, 2017

Heavy Music Artwork launches world’s first and only metal and rock art magazine - Issue 5 pre-sell: Avant-GardeFeaturing: Ulver, Sun O)))...

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Legacy

Legacy

March 10, 2017

The aging process affects pretty much everything in one way or another; but it may also lead to things being...

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Human

Human

January 20, 2017

The third issue of Heavy Music Artwork is an introspective outlook on music and art. Rock and metal have a...

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Folklore

Folklore

October 20, 2016

The second installment of Heavy Music Artwork is dedicated to Folk Art. Often referred to as ‘folklore’, it depicts the...

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Dark Nouveau

Dark Nouveau

July 20, 2016

The first issue is finally out and we feel inspired, happy and accomplished that we; the metal community; have a...

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Sam Shearon

Sam Shearon

September 19, 2017

Sam Shearon talks with Heavy Music Artwork Sam Shearon Aka ‘Mister-Sam’...

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Maciej Kamuda

Maciej Kamuda

July 5, 2017

The art of being yourself Most of all I'm self-taught. I...

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Cosimo Miorelli

Cosimo Miorelli

July 1, 2017

Man at work Like most people, I always drew as a...

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Rainer Kalwitz

Rainer Kalwitz

June 28, 2017

Phantastic Realism I had studied graphic arts at the university of...

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Lukasz Wodynski

Lukasz Wodynski

June 20, 2017

Living beings I graduated The School Of Fine Arts in my...

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Max Martelli

Max Martelli

June 14, 2017

Passion for Science Fiction Ever since I was young I was...

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Christian Sloan Hall

Christian Sloan Hall

June 8, 2017

The power of perseverance I was born in Santa Monica, California...

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Mike D from Killswitch Engage

Mike D from Killswitch Engage

May 31, 2017

DarkIcon studio profile All of Killswitch Engage's album artwork and tour...

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Top 10 Albums that changed my life by Drew Zaragoza of Sinicle

Top 10 Albums that changed my life by Drew Zaragoza of Sinicle

August 25, 2017

Drew Zaragoza is the front man for LA Power Trio Sinicle. He has led the band for over a decade. Los Angeles power trio Sinicle combine the groove of Heavy...

Top 10 Bands that inspired my music by Drew Rizzo of Midnite Hellion

Top 10 Bands that inspired my music by Drew Rizzo of Midnite Hellion

August 22, 2017

Drew Rizzo is the drummer and founder of Trenton, NJ’s own MIDNITE HELLION, a US Heavy Metal band formed in 2011.  He eats, breathes, and sleeps Heavy Metal, and here’s...

Metastazis & Au Dessus: End of Chapter (Les Acteurs de l'Ombre)

Metastazis & Au Dessus: End of Chapter (Les Acteurs de l'Ombre)

July 21, 2017

There were no specific directions, the band gave me total freedom to provide my interpretation of the title. I interpreted 'End of a chapter' as plain death. And I wanted...

Robert Schober aka Roboshobo & Ghost: Cirice (Universal)

Robert Schober aka Roboshobo & Ghost: Cirice (Universal)

July 14, 2017

‘Cirice’ concept was inspirited by Brian De Palma film ‘Carrie’. The idea originated with Papa himself. He wanted to set the video in a school and do a talent show...

Napalm Death & Frode Sylthe: Apex Predator, Easy Meat (Century Media)

Napalm Death & Frode Sylthe: Apex Predator, Easy Meat (Century Media)

July 7, 2017

The band have been very much involved in the process of making this album artwork. And they tend to have a lot of ideas in which direction it all should...

Nestor Avalos & Bloodbath: Grand Morbid Funeral (Peaceville Records)

Nestor Avalos & Bloodbath: Grand Morbid Funeral (Peaceville Records)

June 30, 2017

We started from the concept of the band and the name of the album 'Grand Morbid Funeral'. This was the determinant factor for the whole process 'a place of plague...

Sikth & Dan Mumford: Opacities (Peaceville Records)

Sikth & Dan Mumford: Opacities (Peaceville Records)

June 23, 2017

I have known most of the guys in SikTh for quite a long time, I grew up in Watford, the same town that SikTh came from, and was playing in...

Obituary & Andreas Marschall: Inked in Blood (Relapse Records)

Obituary & Andreas Marschall: Inked in Blood (Relapse Records)

June 16, 2017

The idea for ‘Inked in Blood’ was developed by the Tardy brothers and me, based on an early suggestion sketch, when the band decided to move visually in a different...

Michael Berberian from E-Kunst

Michael Berberian from E-Kunst

June 9, 2017

The art of E-Kunst Mostly known as the founder of the record label Season of Mist, Michael S. Berberian has been using metal festival for years as an alibi to visit...

Camden Rocks Festival

Camden Rocks Festival

May 12, 2017

Camden Rocks Festival, established in 2009, is an exclusive festival held in London’s notorious Camden Town bringing you the best selection of rock, indie, metal and alternative music. Camden has...

Frederick Sandys

Anthony Frederick Augustus Sandys (born Antonio Frederic Augustus Sands) (1 May 1829 – 25 June 1904), but usually known as Frederick Sandys, was an English "Pre-Raphaelite" painter, illustrator and draughtsman, of the Victorian era. He was born in Norwich, England, and received his earliest lessons in art from his father, who was himself a painter. His early studies show that he had a natural gift for careful and beautiful drawing. In 1846 Sandys attended the Norwich School of Design. In the same and next year his talent was recognized by the Royal Society of Arts.
Personal relationships

He married Georgiana Creed, but this marriage only lasted three years, although they never divorced. He had a long affair with the Romany woman Keomi Gray, who sat as a model both for him and Dante Gabriel Rossetti, and perhaps also for Simeon Solomon. He and Gray had at least two sons. In 1862 Sandys met actress Mary Emma Jones, known as Miss Clive, when she modeled for The Magdalen, now owned by the Norwich Castle Museum. A relationship developed between the two, he became devoted to her, taking her as his common-law wife for the rest of his life. She gave birth to a large number of children, 10 of whom were raised under the name of Neville and survived after Sandys' death. His work Proud Maisie made in 1867, was inspired by Mary, so much so that he made at least 11 versions by 1904.

He displayed great skills as a draughtsman, achieving recognition with his print parodying John Everett Millais's Sir Isumbras at the Ford in 1857. The caricaturist turned the horse of Sir Isumbras into a donkey labelled J. R., Oxon. (John Ruskin). Upon it were seated Millais himself, in the character of the knight, with Rossetti and William Holman Hunt as the two children, one before and one behind. The caricature, produced using the new autographic lithographic, caused a lot of talk about who the artist might be and ultimately introduced Sandys to the London art community. Rossetti and Sandys became close friends, and from May 1866 to July 1867, Sandys lived with Rossetti in Cheyne Walk, Chelsea. Sandys works were profoundly influenced by those of Rossetti. He focused mainly on mythological subjects and portraits.

Some of the first introductions to Pre-Raphaelite teachings emerged in magazines, such as Once a Week, the Cornhill Magazine, Good Words and Sunday Magazine. Sandys began drawing in the 1860s for Once a Week, the Cornhill Magazine, Good Words and other periodicals, his work influenced by Albrecht Dürer, Ambrosius Holbein, and Alfred Rethel. Sandys made a total of 26 between 1859 and 1866, but each was a fine representation of this genre, faithfully engraved by professional wood-engravers, including the Dalziel brothers and Joseph Swain, that they are worthy of the collector's portfolio. For the engravers to be successful in carving the intricate illustrations onto wood, they needed to start with a detailed, clear print from the artist. Sandys had an eye and talent for exacting detail, an intention to accurately reflect the subject, revealed in the quality of his works, equally impressive for its technical detail as for its imaginative point of view.

Sandys' The Death of King Warwulf is an example of his ability to create drawings that translated well for the engravings. Swirling shapes of flames, the curve the boat, its sail and the king's clothes that surround him create a feeling of movement. The focal point is the king's bowed head. His last woodcut was on the subject of Danaë in the Brazen Chamber. It was engraved by Swain for Once A Week but suppressed by the publication's editor, despite Sandys having the support of the magazine's publishers, on the grounds that it was too sensuous.

He drew only in the magazines. No books illustrated by him can be traced. So his exquisite draughtsmanship has to be sought for in the old bound-up periodical volumes which are now hunted by collectors, or in publications such as Dalziels' Bible Gallery and the Cornhill Gallery and books of drawings, with verses attached to them, made to lie upon the drawing-room tables of those who had for the most part no idea of their merits.

Chalk drawings of lettered men
He made a number of chalk drawings of famous men of letters, including Tennyson, Browning, Matthew Arnold, and James Russell Lowell.

Studies for paintings
Study for Vivien depicts Sandy's lover, Keomi Gray, as Vivien of Tennyson's poem Idylls of the King. In the poem Vivien is the femme fatale in the story of King Arthur who used her looks to seduce Merlin to learn his secrets. Sandys had previously used tales from King Arthur as inspiration for his work, such as King Pelles' Daughter. He was drawn to stories of women who "seduce, entrap and destroy men, such as Helen of Troy, Morgan Le Fay and Medea." Sandys portrays Vivien as a beautiful, self-assured woman. The apple placed in front of her may refer to the story of Adam and Eve.

Study for Autumn, made in 1860, is one of the many studies Sandys made before painting Autumn and provides evidence of Sandys' skill as a draughtsman. He captures minute details, such as the soldier's uniform and the plants and flowers. The study is much like the finished painting, except that the ginger jar is in the foreground.

Paintings
Early in the 1860s he began to exhibit the paintings which set the seal upon his fame. The best known of these are Vivien (1863), Morgan le Fay (1864), Cassandra and Medea (1868).

Sandys never became a popular painter. He painted little, and the dominant influence upon his art was the influence exercised by lofty conceptions of tragic power. There was in it a sombre intensity and an almost stern beauty which lifted it far above the ideals of the crowd. The Scandinavian Sagas and Le Morte d'Arthur gave him subjects after his own heart. The Valkyrie and Morgan le Fay represent his work at its very best.

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