Promoting metal as art and culture
Bloody but Unbowed by Jon Bodan Hello Heavy Music Artwork, thanks for having us in the Masterpieces 2018 book, Travis totally nailed it on our album artwork as he always does. Hard to condense our history down to a short form, I started the band back in 2001 for really just fun. We wrote a…
Lemmy made the world a better place The Philly punk scene is a powerful thing. It should come as no surprise that this bastion of hard-hitting punk rock would be a lodestone for some of the best punk rock talents in the world. Such was the case for the mysterious Australian born guitarist of California…
Triangle by Jeff Grimal Spectrale is Jeff Grimal’s solo project started in 2014. It is the result of long-term work on acoustic, hypnotic and esoteric music exploration. The band released a demo in May 2016 on “Inductive Oppression Records”, but also a Split on “Emanations” with the help of Jean Baptiste Poujol for some tracks…
Sikth and Destroy Sikth formed in 1999 in England and immediately became one of the most influential bands in the progressive and djent genre. Their music was innovative and without a doubt ahead of their time, and this gained them recognition, acknowledgement and respect between the prog-metal fans scene. The band started touring the world…
This being our 10th studio album we wanted to incorporate all of our collaborative efforts into something dynamic. Vast tempo changes and arrangement complexity has an enduring presence in all our material, but with a fresh approach. Be it production, lyrical content, art etc. The writing process comes so natural and easy for the four…
Nivalis By Daníel Auðunsson Árstíðir is a three-piece band from Reykjavík Iceland. Involuntary intertwined to the Icelandic calendar of big events, Árstíðir was founded in the same month as the 2008 stock market crash, and the band embarked on its first international tour in the same month as the Eyjafjallajökull eruption in 2010. After years…
The Cauldron and the Cross By Kyle McNeill Yeah, that’s correct, our new album ‘The Cauldron and the Cross’ was released in April this year. We’ve been active as a band since 2013, and this is our second full-length album. We recorded it at Knight Time Studios in London with producer Jim Knight at the…
Hellhound By Peter Ellis I have a background in classical music and studied classical guitar for 8 years. I became involved with bands as a teenager, starting as a guitarist and then moving on to being a singer at the age of 19. There are always challenges when putting an album together. On this one,…
Gateways By Óskar Logi Our goal is always to become better as a band, write better songs, perform better as a live unit and perform more concerts over the globe. With expectations it’s different. It very hard maintains expectations when you’re so involved in a band since situations can change within days or even hours.…
Peace By Joakim Nilsson and Truls Mörck Joakim: I guess there’s no story behind this album. Truls: It’s not a concept album. It’s just a collection of songs that we wrote during this particular time. That was special for because it was written during and right after we had split up. That was different I…
Follow The Cipher By Jonas Asplind, Karl Löfgren, Linda Toni Grahn JA: We want to catch the feeling of something big and bombastic; like Hollywood movies in the style of Mad Max and Terminator when you hear us. KL: Chris Rörland made the cover (he’s most famous for playing the guitar in Sabaton). The songs…
Revenge by Phil Illsley Our new record ‘Revenge’ was out Aug 3rd, 2018. It’s the culmination of a couple of years of struggle and difficulties. It represents the band, against all the odds, pushing forward. We do things a little strangely in this band. I’m not sure if it’s because of happenstance or [we joke…
Lucifer II By Nicke Andersson and Johanna Sadonis Nicke: It’s got nine songs of Lucifer heavy rock. Johanna: Yes, nine songs of heavy rock. We can recommend it. Nicke: Johanna had the concept. Ester Segarra took the photo. Johanna and I laid it out. I can’t say it tells the story of the album, no.…
Danse Macabre By Simon Olsen The album is coming out the 17/8, and we are stoked to release our debut finally! Of course, we wish to blow people’s mind with our uncompromising death metal, and our primary goal is casual world domination. We work daily with songwriting, Doomstar (our booking agency), Century Media (our label)…
Tū By Henry and Lewis de Jong We’re a thrash metal band with groove and nu metal influences. We also sing about half our material in Te Reo Maori, which is the native language of New Zealand. Lewis used to obsessively watch David Gilmour and Stevie Ray Vaughan DVDs when he was really young –…
Dante Divina Commedia accounts ‘Under each face two mighty wings stretched out, / of size proportioned to so huge a bird; / sails of the sea I never saw so large. / They had no feathers, but were like a bat’s / in fashion; these he flapped in such a way, / that three winds issued…
FearFaith Machines by Joe Gagliardi III Martyr Art is a digital metal phenomenon that’s been shredding since 2004. Known for playing so fast that he “sends music into the future”, guitarist, singer and songwriter, Joe Gagliardi III, is the driving force and solo performer in Martyr Art. Joe plays every instrument, does all his recording,…
Held in Contempt By Bob Saunders From the abandoned asylums and haunted pine barrens of Southern New Jersey comes High Council, an interminable force with one foot in hell and the other crushing the throat of mediocrity. For years, High Council has been bludgeoning its loyal fans with ferocious epics of riff-fueled neoclassic rock-metal. Consisting…
Automata By Carlos Amado From the alchemical merging of Metal music and the aesthetics of Steampunk an unlikely synthesis is born, giving rise to Dallian, a band hoping to fill a void in a still very underexplored fusion. Rising in 2017 from the centre of Portugal, in the small city of Leiria, Dallian is a…
The Lights of This Earth Are Blinding By Derrick Flanagin Our new album ‘The Lights of This Earth’ I think as a whole we just took a little more time with the writing process. We also took some time off to try and mould these songs and find the new direction we wanted to go.…